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Carding for color and quality


Supply: drum carder or hand carders
Dyed wool
Dyed silk noils
Angelina
Luxury fibers like cashmere, angora, and alpaca
And, like me, the color wheel.

I need a color wheel while blending colors to avoid mud. Joseph Itten identifies a seven-colored contrast. The contrast I use when dyeing is hue, brightness, darkness (as opposed to saturation), warm and cool. As long as the color area is not large, I avoid completing. For example, supplement w. .


Small tits. :
Knitting, Rowan, Wool, Silk, Yarn, Dye, Hand-painted, Hand Dyeing, Weaving, Spinning, Spinning, Roving, Fleece, Card


Article body:
Supply: drum carder or hand carders
Dyed wool
Dyed silk noils
Angelina
Luxury fibers like cashmere, angora, and alpaca
And, like me, the color wheel.

I need a color wheel while blending colors to avoid mud. Joseph Itten identifies a seven-colored contrast. The contrast I use when dyeing is hue, brightness, darkness (as opposed to saturation), warm and cool. As long as the color area is not large, I avoid completing. For example, it complements when dyeing a wide area of ​​spaced dyed threads, but not when applying many colors like a picture.

Supplements do not line up due to color, blends and mud may not work as they may result!

Light and darkness may get lost in the blending situation.

Similar colors and black and white colors are great tools to use if you choose a color for color mixing.

Equal parts of most colors work well together. Unless it is shining, a small amount of one hue will be lost in the metal, hairy, or in a blend that will reveal headphones from the rest of the fiber in some way

Because we can feel the color and texture for the cards for the thought of some things, the yarn blends as fibers with the same characteristics. If you want a smooth yarn, it would be best to avoid cotton-like noils, silk waste, or short fibers with such a blend.

Time spinning is more than one card session in the carding process of a particular project. It is a good policy to plan how much each optical fiber you will need and also you can get some from the skein in the project

I prefer to use bleached luxurious fibers, undyed for mixing as they stand out. It is a bit of cashmere!

Luxury Fiber Between Layer Wool Layers You have a fine carding cloth or you can use a drum carder as long as fine fibers can not ride on the teeth of the wire

Thoroughly card silk noils Before you add them to the blend unless you do a very nubby look of noils.


Car painting - how to start painting the car

Because it is such a painted car, do you compare it with hard? Well the main thing with the car is that every small line needs to be totally proportional to one small mistake and it can screw up the whole picture and this our brain around it With very good shape and detail memory. Red roses can have different shades, but there are various sizes, different leaves, etc., but the model of the car remains the same. .


Small tits. :
Car painting, car drawing, car sketch, pencil,


Article body:
Because it is such a painted car, do you compare it with hard? Well the main thing with the car is that every small line needs to be totally proportional to one small mistake and it can screw up the whole picture and this our brain around it With very good shape and detail memory. Red roses can have a variety of shades, but there are various sizes, different leaves etc, but the car model remains the same so if something is correct

Doing your next car panting, you try to get all the proportions before you start shading or painting on the right, the initial part of it is very good in color It does not matter. If you do not get the proportions correctly, the final result is not very good. That is how important it is to make the ratio right. How do you do it? What should I do?

Start with clean paper, preferably pretty big. You find a good picture of the car you want to draw, this picture is used as a reference for your car picture / drawing.

In some soft-line papers by the start, the game is proportional to the general box. By the proportion of the box I mean the basic line like the bottom and roof of the car. Start by adding the front or rear of the car after you do it. (How cars are placed by your reference footage))

When this is done and you feel really nailed these lines, you will move to details like headlights, door handles, windows etc. My advice is not to start wheeling early as they are usually the hardest part. Do the wheels when you are happy with the overall line of picture of your car. Then take a break. Yes, it takes a break for everything! When you come back after hours or so, you probably added a small even this small detail you did not notice, you did not notice while you painted the car, and with the shape and details of the car very Cover the car with shadows until you feel satisfied and remember what you should not start painting. But I say you are the first color. "How to properly shade it is another topic covered in my next article.

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