Net attack is heavy tennis tennis. It is supposed to crush all the defenses. Shotballet or smashes whether it will be a kastroke or not as a point you will need.
Once at the first opportunity given a racket a head-on ball to get the ball hit from point to point by net. All the rules of footwork described for the drive are theoretically the same. In fact, you rarely have time to change your feet to the set position, so you throw weight on the foot closest to the ball and
Volley is two classes: (1) low volley, made from under the waist, and (2) high volley, from waist to head. Contrary to the classification of the striking surface are two styles known as (1) deep volley and (2) stop volley.
All low explosions are blocked. You can hit a block or a tall block. Volley must never be insulting. There is no follow-through for low volleys and little for high ones.
You hear a lot of talk of the "chop" volley. The chop blow moves the racquet from and through the ball's flight line, and the angle made behind the racquet is greater than 45 degrees, and so much that the chopped pop tends to be chopped The air of the ball is chop. If you want a sliced volley, or both these shots are made at a very small angle to the flight line of the ball, so the racket
In all volleys, the wrist must be locked and must be tight. Therefore it should always be under the racket head, fixing the racket against the influence of the ball. Do not try to put the strength of incoming shots and your weight back into the ball and make it a "wrist". The inclined racquet surface gives the ball an essential angle to the return by looking off the string, so no wrist rotation is required.
Low bounces can never hit hard and should usually be sharp for the height of the net, and be bent to allow clearance for the ascent. Any ball may hit hard you met in a plane higher than the top of the net. The strokes are felt cold and appear, and inside the decisive thing is the ball. The follow through should be very small. Most low explosions should be soft and short. Most expensive units require speed and length.
"Stop" Barre will be shot to the end. There is no power to be used. The racquet simply meets the opposing ball and stops it. The ball is self-weight rebound and waterfall. There is a slight bounce to such a hit, so it may be reduced by letting the racket slide slightly under the impact ball at the time of impact
Volleying is a science based on the old geometric axiom that straight lines are the shortest distance between two points. I mean that the volleyer must always cover straight passing shots because it is the shortest shot to pass him, he will be his dangerous net guy like him Johnston It's a great straight volley. He has always hit his volley straight and has trouble opening the other's court.
In order to achieve the underground stroke without a net player, the simple position. Don't think that service and volley are enough for first-rate tennis.
Strive to kill your shot hit the ball cross or cover of the start. Force an effort man to pass you always to play difficult shots possible.
Attack with your volley. Never defend the ball on the net. The only defensive volley is at your feet when you come. That is a shot of the middle court. The speed can be used with high speed volleys, but the volleys should win with an arrangement over speed.
Closely related to volley, yet never volley stroke, is an overhead smash. It's a big tennis player. It is a long distance terrorism that should always be scored. Rules for footwork, position, and direction governing volley will be enough for overhead. Vibration alone is different. The swing should be closely aligned to the slice service. , The racket and arm swing freely from the shoulders and hold it in the flexible wrist and court There was no quick bounce in terms of the center of overhead where there is a slow recovery time so that you can place it It became the keynote.
Don't jump in the air unnecessarily to hit an overhead ball. Maintain at least one foot so that it helps to adjust weight and give a better balance, and if possible, both feet on the ground, with smashing. Flat and decisive hits to points as needed.
However, the second class of errors is due to the cramped, lack of confidence giving a halfway swing. Follow your swing limit with your overhead shot.
The overhead is basically a doubles shot, so the chance of passing a net man in single is greater than roving on his head, so, two men in doubles
In smashing, the longest distance is the safest shot. Because of that smash network court is pushed, but short lobs are decided, it is playing to the person.
It gives momentum in the form of hit overhead that can be dropped, and makes it the position to attack. Never shatter with reverse twist, always hit with a straight racket surface and direct to the start.
It is a lob, which is closely connected overhead, as it is the usual defense to any hard smash.
Lob is the high toss of the ball landing between the service line and the baseline. Good lobs should be within 6 feet of the baseline.
Lob is inherently defensive. The idea of lobing is (1) to give time to regain position when pulled out of the court in the opponent's shot, and (2) to evict Netman. , Slightly different strokes.
There is a hung undercut spin heavily (1) in the air, chopping. This is the best defensive lob, as it gets higher and gives more time to recover position. (2) Stroke lob or flat lob hit with a slight top spin. This is a point winning lob, because it does not give time to it, a player that runs around it, as it is lower and faster than a chop. Your swing like drive to make this lob Start with, but as the racquet slows the face upwards just as you fill the ball This, the shot is a ball of float with a bit more than 10 feet of air together.
The chop's rob, which is fixed under the cut, must rise from high to 20 to 30 feet, or more, and go deep. It is recommended to run lobs and back opponents, thus tire him, than to give him confidence by short lobs and easy kills. The value of lobs is mainly one that upsets the opponent One, if you have unexpectedly one off during a critical period of the game, the effect is very high
Psychology of tennis singles and doubles.
Single, the biggest distortion of tennis, is a game for two players. It is at this stage of the game that personal equalization reaches the top of importance. This is a game of mental and physical individual effort.
A hard 5 set singles match is the largest burden on the body and nervous system of any form of sport. Single is a bold, dash, foot and stroke speed game. It is a game of chance much more than doubles. Not speeding up the possibility of errors to the risk that you can not rely on partners. Many of what I wrote under Match Play are more for singles than doubles, yet I have specific characteristics of singles from the perspective of the audience
The gallery enjoys personality much more than style. Singles are much more sharp than doubles and bring the two to a close and positive relationship that demonstrates the idiosyncrasies of each player. The audience is in the position of a man watching insects under the microscope. He can analyze the inner workings.
The freedom of detention felt in a single court is in contrast to the need for teamwork in doubles. If there is a single handed to go, it is a reasonable chance to be held. The hits are harder than all singles and doubles can be scored any time.
Singles is a game of imagination, doubling the science of exact angles.
Doubles are four-man tennis. This main reader definition is sufficient.
Playing with your partner in tennis like a bridge is just as crucial. Every time you have a stroke, you need to make a clear plan to avoid trouble with your partner. The keynote of Doubles' success is teamwork. There is a specific type of teamwork that depends entirely on the individual brilliance. If both players are in the same class, the team is always as strong as the weakest player. In the case of a team of one strong player or a weak player, it protects and weakens its protection so that it can be a powerful player. This pair needs to develop teamwork to the individual glow of stronger men.
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